Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Enguerrand Quarton
The Lamentation of Christ with a Donor known as the Pieta of Villeneuve-les-Avignon (mk05)

ID: 20003

Enguerrand Quarton The Lamentation of Christ with a Donor known as the Pieta of Villeneuve-les-Avignon (mk05)
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Enguerrand Quarton The Lamentation of Christ with a Donor known as the Pieta of Villeneuve-les-Avignon (mk05)


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Enguerrand Quarton

active in Provence 1444-1466  Related Paintings of Enguerrand Quarton :. | Coronation of the Virgin | Our Lady of condolences to Jesus | Portrait du colonel Albert Manuel | Cornation of the Virgin (mk08) | Pieta of Villeneuve-les-Avignon |
Related Artists:
Jean Leon Gerome
French 1824-1904 Jean Leon Gerome Galleries French painter, sculptor, and teacher. Son of a goldsmith, he studied in Paris and painted melodramatic and often erotic historical and mythological compositions, excelling as a draftsman in the linear style of Jean-Auguste-Dominique Ingres. His best-known works are scenes inspired by several visits to Egypt. In his later years he produced mostly sculpture. He exerted much influence as a teacher at the Ecole des Beaux-Arts; his pupils included Odilon Redon and Thomas Eakins. A staunch defender of the academic tradition, he tried in 1893 to block the government acceptance of the Impressionist works bequeathed by Gustave Caillebotte.
renoir
född 25 februari 1841 i Limoges, Haute-Vienne, Frankrike, död 3 december 1919 i Cagnes-sur-Mer
Mura, Francesco de
Italian, 1696-1782 Italian painter. He was educated initially in the workshop of Domenico Viola at Naples, but in 1708 he entered the school of Francesco Solimena, whose favourite pupil and most trusted collaborator he became. At first he followed closely Solimena's monumental Baroque manner, as in the frescoes (1715) in S Nicola alla Carit? in Naples, but later developed a more controlled and refined style of rhythmical lines, light and airy colours and delicate psychological overtones. He employed this new style in his ten canvases of the Virtues and his vast Adoration of the Magi (all 1728; Naples, S Maria Donnaromita) and, above all, in his frescoes of the Adoration of the Magi in the apsidal dome of the church of the Nunziatella, Naples (1732; in situ). De Mura was also active as a portrait painter; his Portrait of the Artist's Wife






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